The
influence of Joachim in Italy and abroad
Joachim's fame spread widely by
the end of the XII century and entered the heart of the
formative process of European civilization.
Joachim's thoughts have been well assimilated that they
have become one of the most frequented crossroads of Western
cultural and spiritual tradition.
Joachim of Fiore has to be aknowledged as one of the greatest
masters of European civilization. Soon after his death,
his message influenced the spiritual Franciscan movement
which in turn influenced Dante Alighieri. Joachim of Fiore's
new prophetic tension inspired and gave life to the Divine
Comedy which Dante filled with Joachim's figures and symbols,
Dante also included Joachim's trend for the moral and
spiritual reformation of Christianity.
Christopher Columbus, in his writings, very often, appeals
to the prophetic authority of the Calabrian Abbot, by
connecting his explorations to the evangelization of the
last people on earth that, together with the definite
recapture of Jerusalem, would have marked the beginning
of the third and last age of the world, the Age of the
Holy Spirit.
Even the first Spanish Franciscan missionaries of the
Observance left Europe driven by Joachim's hope to create,
in the new world, that proper Ecclesia Spiritualis (spiritual
Church) of the last time of the history of salvation,
building up the cultural and spiritual tradition which
has not vanished, even today, in South America.
Recently, the iconographic disposition of Michelangelo'
frescos in the Sistine Chapel has been unequivocally traced
to the concordist geometries of the biblical exegesis
and to the symbolic Trinitarian figures of Joachim of
Fiore. Michelangelo's theological consultants were, in
fact, two important Joachimists of his own time, the Augustinian
Cardinal Egidio from Viterbo and the Franciscan theologian
Pietro Galatino.
For the exact and complete survey of Joachimism in European
culture and literature it is useful to consult the proceedings
of the five international Conferences celebrated by the
International Center for Joachimist Studies (CISG), and
the fundamental work of Henry de Lubac " La postérité
spirituelle de Joachim de Fiore", (Jaka Book editor Milano Italy 1984) as well as the
well-documented work, published in 1987, by M. Reeves
and W. Gould on the influence of Joachim's thought in
XIX century European literature. A great revival of rich
and innovative studies on Joachim has begun in the XX
century, particularly, in the second half of the same
century.
The University of Oxford, boasting Marjorie Reeves the
most important Joachimist scholar, and the University
of London are the most productive Centres for Joachimist
studies.
At Berlin and Costanza Universities, and at the Monumenta
Germaniae Historica, there are many Joachimists and scholars,
one of them being Herbert Grundmann.
In the USA the interest in Joachim, in prophecy and in
the Apocalypse is well represented by: Robert E. Lerner
at Northwestern University; Bernard McGinn at the Divinity
School of the University of Chicago; Stephen Wessley at
the York College of Pensylvania; Sandra Zimdars-Swarts
at the University of Kansas; Delmo West at the University
of Arizona; Randolph Daniel at the University of Kentucky
(author of a very useful critical edition of the "Liber
Concordie Novi ac Vetris Testamenti").
One of the leading Joachimist scholars, Morton Bloomfield,
has taught for years at Harvard. Along with M. Reeves
he is the most important scholar of Joachim in British
and North American circles.
The bibliography of the XX century reported a remarkable
flowering of studies and publications, either in Italy,
France, Spain, Portugal and Latin America but, above all, in Mexico.
The major event of the last twenty-years is the significant
presence of Joachimist themes not only in qualified magazines,
but also in periodicals and daily press, as well as in
those widely-circulated papers, even local ones. Articles,
references, suggestions, quotations, debates and considerations
on papers' literary pages, reviews and reading proposals,
have been collected and recorded by the CISG (Centro Internazionale
Studi Gioachimiti). There is enough work to show the increasing
and understandable fascination that, in the third millennium,
the figure of Joachim holds for the contemporary world.